PLOS Musical Productions’ shows are legendary for their strong and effective use of technology, but the production of Catch Me If You Can – The Musical at Frankston Arts Centre, excelled equally in all areas.
Innovative, clever technology merged with a top cast of musical theatre performers, fabulous choreography (Mark Mackenzie and Michael Mitchell), sharp, expert direction and scenic concept (Danny Ginsberg) and splendid music from Malcom Huddle’s orchestra, to present an outstanding interpretation of this 1960s-themed entertaining show.
Based on the movie directed by Steven Spielberg, starring Leonardo DiCaprio and Tom Hanks, Catch Me If You Can is purportedly autobiographical.
The story tells of young con artist/impersonator Frank Abagnale Jr (Jordan Poyser) using charm to fool many people in various situations, and enjoying an elusive cat and mouse game with FBI agent Carl Hanratty (Aidan Niarros) and his team.
Charismatic triple threat Jordan Poyser commanded the stage with his presence in the lead role, beautifully capturing young Frank’s various emotions during his adventures, and making the role his own.
Aidan Niarros’s portrayal of Carl Hanratty was also terrific, weaving showmanship into his antagonist role and delighting audiences.
All cast members were standouts in their individual performances. The remaining lead roles were played by Emily McKenzie (Paula Abignale) and Peter Noble (Frank Abignale Sr), Emilie Toby (Frank’s girlfriend Brenda Strong), Courtney Smyth and Lee Threadgold (Carol and Roger Strong), Jesse Thomas (Agent Cod), Guada Banez (Agent Branton) and Ben Noble-Saroto (Agent Dollar).
The energetic, talented ensemble members were a joy to watch, particularly when executing Mackenzie and Mitchell’s vibrant, refreshing choreography.
Many behind-the-scenes contributors listed in the programme are to be congratulated, but in particular, Daniel Jow’s atmospheric lighting design, Marcello Lo Ricco’s sound, and the costumes from CLOC Musical Theatre with additions by Brett Wingfield, which ranged from era-authentic day-wear to stunning theatrical glamour.
Thanks PLOS Musical Productions for a memorable, wonderful production.

• Review by Cheryl Threadgold